„...a human torch ...Diaghilev sets the stage on fire... Anna Hein,... the true Diaghilev of this performance...“
(Ulrich: Diaghilev)
J.Schmidt, Frankfurter Allgemeine Zeitung, Ballett International

„Anna Hein (as the young Alma Mahler) is the surprise of the evening. She doesn't just dance to ‚Ein süßer Traum‘, she is it!“

„Grandiose: Anna Hein as Juliet. She masterfully develops a firework display of emotions from the tender bond of love with Romeo.“
M.Brüggeller, Kronenzeitung

„Anna Hein dances this Juliet in brilliant role coverage.“
U.Strohal, Tiroler Tageszeitung

„...Anna Hein as Juliet and the Romeo of Fabrice Jucquois are a ‚dream couple‘, beyond all earthly heaviness...“
J.Höpfel, Der Standard

„A round dance with five Almas:...Anna Hein was particularly appealing in the role of the young Alma Mahler...“
(Jaska: Alma Mahler)
U.Kneiss, Der Standard

„Anna Hein, who grew up in Carinthia, embodies Juliet with girlish and enchanting charm and great dancing skills.“
P.K., „For you“

„The remarquable Anna Hein....the dance achieves transcendence“
S.Walker, The Toronto Star

„...Jochen Ulrich's trump card in this production...She dances her way through ‚Juliet‘ with her bare feet...and lends the evening the ‚utopian‘ breath of eternal love.“
A.Amort, Courier, Ballet International

„Refreshing performances by the tomboyish Anna Hein, whose energetic, free but controlled dance stands out in an extremely positive way.“
(Ulrich:Callas-la traviata)
U.Kneiss, Der Standard

„The ensemble is well-trained and homogeneous, but mentioning Anna Hein as outstanding is unavoidable.“
(Adler:rien ne va plus)
Ditta Rudle, tanz.at

“Anna Hein and Eric Trottier dance their pas de deux particularly impressively... delicate and powerful at the same time, encompassing all phases of passion.”
(Renshaw: wish you were here)
S.Rempe, Fürth, 2005

“Anna Hein, ... the pas de deux becomes a tender encounter at fingertips and an emotional climax.”
(Trottier:Clownstory) S.Rempe, Fürth, 2006